Southeast Asia is experiencing a cinematic boom thanks to regional film collaboration. This trend is fueling breakthroughs in box office success and global recognition. At the Busan International Film Festival in October 2025, films from across Southeast Asia gained spotlight and acclaim. Notably, co-productions like Indonesia’s On Your Lap (Pangku) and the Malaysian‑Indonesian The Fox King presented fresh narratives to international audiences.
In particular, On Your Lap won four awards in the festival’s Vision Awards segment. Its story portrays a woman navigating hardship during Indonesia’s 1998 economic crisis while working as a kopi pangku waitress. Consequently, this deeply rooted tale struck a chord with festival attendees. Meanwhile, The Fox King illustrated sibling bonds and supernatural ties. The film premiered in Asia at Busan following its world premiere in Toronto. This Malaysian‑Indonesian venture clearly embodied how filmmakers are bridging national divides.
Moreover, these examples represent only part of Southeast Asia’s cinematic surge. Last year, regional films shattered box office records across Thailand, Indonesia, and Vietnam. Movies such as How to Make Millions Before Grandma Dies not only succeeded domestically, but also attracted audiences in neighboring markets. Furthermore, as American blockbuster releases slowed during Hollywood strikes, local films stepped into the spotlight. In markets like Vietnam, Thailand, and Indonesia, local titles became some of the highest-grossing films ever shown.
In addition, South Korean investment is playing a crucial role in supporting this wave. Korea-based entertainment firm CJ ENM stands out for backing regional productions. Its projects in Vietnam secured top box office rankings, while its presence expanded in Indonesia and Thailand through local partnerships.
Analysts widely believe that regional film collaboration brings multiple advantages. It helps share production risk, foster creative exchange, and widen distribution networks. More importantly, it strengthens cultural ties among Southeast Asian countries.
Nevertheless, challenges remain. Filmmakers must balance funding sources, protect creative integrity, and navigate differing regulations. Some local markets still lack robust infrastructure to support ambitious productions. As a result, industry voices are emphasizing the need for deeper cooperation. Film critics often note that Asia’s cinematic future depends on how well nations collaborate, not just compete. Therefore, stronger mechanisms for co-production, distribution, and rights management remain essential.
Looking ahead, investors and governments may expand incentives for regional projects. Film festivals like Busan will likely continue serving as vital platforms for exposure and deal-making. As Southeast Asian films gain further traction, they may attract more global distribution partnerships.
Ultimately, regional film collaboration could redefine Asia’s place in global cinema. The success of cross-border ventures may signal a shift in power from individual national industries to integrated regional ecosystems.
