Colorful rhythms quickly filled the streets as the China dance festival in Xinjiang embraced a wave of global energy. Meanwhile, artists from eight countries performed ballet, opera, folk, and street dance across many cities. As a result, international performers and local communities shared stories and joy.
At the same time, the festival reached beyond Urumqi for the first time. Cities like Ili, Hotan, and Karamay joined the celebrations. Thanks to this wider reach, more people enjoyed Xinjiang’s international cultural dance event in person.
During the exciting opening, Italian dancers from Balletto di Milano joined local artists at the Grand Bazaar. They danced through markets and crowded streets, thrilling both locals and tourists. Soon after their ballet scenes ended, they eagerly joined Xinjiang’s traditional dances. This moment captured the spirit of the China dance festival in Xinjiang.
Afterward, dancer Anastasia Zappa praised the rich energy of local performers. She said she hoped to learn Xinjiang’s dance styles. Additionally, her teammate Agnese Omodei Sale visited the Peking Opera House and described the experience as unforgettable. These personal moments added more heart to the growing story of the China dance festival in Xinjiang.
Later in the week, Uzbekistan’s Tumor Dance Troupe arrived. Though they had danced in Urumqi before, this marked their first performance in Hotan. As a result, their artistic director, Sharipova Zilola Alimbaevna, reflected on how dance united hearts without language. Every interaction strengthened the purpose behind the China dance festival in Xinjiang.
In the northern city of Karamay, people enjoyed lively street dance shows across parks and shopping areas. At the same time, Urumqi hosted a square dance competition. Altogether, teams performed dances honoring harvests, working life, and local legends.
Participants included schoolchildren, elders, and everyday citizens. Therefore, the festival showed that dance belongs to everyone. These shared moments created strong emotional connections between cultures.
Meanwhile, Dante Puleio from New York’s Limón Dance Company praised the local talent. He expressed deep respect for the energy and warmth of the Xinjiang performers. According to him, every performance reflected strength, creativity, and cultural pride.
In conclusion, the event showcased Xinjiang’s cultural openness and hospitality. Organizers felt proud of the creative exchange between global and local performers. The China dance festival in Xinjiang not only entertained but also united people through music, movement, and shared spirit.
