BTS member Jimin has extended a significant record run on the Billboard charts. His solo single “Who” has now spent seventy-five weeks on the Global Excluding US chart. This achievement reinforces an unprecedented record run for a solo K-pop artist. The song re-entered the chart this week at number 152 accordingly. Consequently, it continues to demonstrate remarkable longevity in the global market.
The track initially released in 2024 as part of his “Muse” EP. That collection has also logged seventy-six consecutive weeks on the World Albums chart. Therefore, Jimin now holds the longest run for any Asian soloist there. The song’s performance highlights sustained fan engagement and streaming strength. This consistent performance is rare for a single over a year old.
“Who” achieved considerable success on the flagship Hot 100 chart previously. It debuted at number fourteen and eventually peaked at number twelve. Moreover, it maintained a thirty-three week stay on that prestigious chart. That duration set a new benchmark for any K-pop solo act historically. The single ultimately ranked fifty-seventh on the year-end Hot 100 summary.
That year-end position is the highest ever for a K-pop male soloist. Additionally, the song dominated iTunes charts globally upon its release. It reached number one in all one hundred nineteen available regions worldwide. This feat marked Jimin’s sixth solo song to achieve total global iTunes dominance. Such commercial performance underscores his substantial international pull.
Industry analysts note the importance of these enduring chart milestones. A record run signals more than just a popular viral moment. It indicates a deeply embedded fanbase and recurring streaming activity. This longevity is often a key metric for artist stability and influence. Jimin’s success helps further legitimize solo K-pop careers globally.
The broader context includes the ongoing activities of the BTS group members. Each member is establishing a distinct solo identity and record chart performance. Jimin’s specific achievement in longevity sets a high bar for peers. His record run on the global chart may influence how labels plan future solo releases. It proves that dedicated fan support can translate into long-term metrics.
Looking ahead, the song may continue its chart presence for additional weeks. Its re-entry suggests ongoing discovery and playlist inclusion algorithms. Furthermore, Jimin’s upcoming solo activities could renew interest in his catalog. The “Muse” EP’s own sustained charting supports this potential. This record run therefore has implications for his next musical project.
In conclusion, Jimin has solidified a notable position in K-pop history. The extended record run for “Who” is a testament to his artistic impact. It reflects strategic release timing, fan dedication, and streaming era dynamics. Such achievements contribute to the growing narrative of K-pop’s global permanence. The music industry will likely monitor these longevity benchmarks more closely.
