A new exhibition in Beijing celebrates 60 years of Xizang literature. Moreover, Xizang literature showcases the region’s unique ecology, ethnic traditions, and cultural exchanges. Organized chronologically, the exhibition traces the development of Xizang literature while reflecting social and cultural changes on the Snowy Plateau.
Ma Lihua, a prominent writer and former vice president of the Federation of Literary and Art Circles of Xizang, said Tibetan Plateau literature developed unique styles and expressions. Furthermore, she noted that Tibetan Plateau literature has become a significant part of contemporary Chinese literary culture through decades of exploration and preservation.
The exhibition occupies the second floor of the National Museum of Modern Chinese Literature. It features four themed sections, each combining historical context with Tibetan cultural elements. Through manuscripts, books, periodicals, trophies, and certificates, Tibetan Plateau literature comes alive, creating a literary symphony that highlights plateau voices and promotes interethnic harmony.
Curators drew inspiration from Xizang’s landscapes, including mountains, rivers, and the khata, a traditional ceremonial scarf. Meanwhile, a multicolored khata circles the hall, highlighting each featured author. Notable works include a 15-episode TV documentary series by Sonam Tsering. Similarly, Yangzhen’s novel Wuxingbie de Shen stands out as the first long-form Chinese-language book by a female Tibetan author, contributing to modern Xizang literature.
Exhibition materials show that writers from all ethnic groups contributed more than 500 works in Chinese and Tibetan. Many of these works also won prestigious awards, including the Lu Xun Literature Prize. Poetry and non-fiction capture historical events and express ethnic identity. For example, the narrative poem Xueshan Fengbao depicts serf struggles and social reforms, highlighting the richness of Tibetan Plateau literature.
Since the 21st century, Xizang literature increasingly focuses on social change and individual spiritual worlds. In addition, writers explore technological advances alongside traditional Tibetan culture, creating a dialogue between past and present. Ma Lihua emphasized that documenting these stories shows readers Xizang literature’s role in portraying economic, educational, and social development.
Interactive installations further enhance the visitor experience. For example, visitors can engage with animated displays inspired by Tibetan horsemanship festivals. They can color figures and watch them move on a turntable, connecting with Xizang literature in playful ways.
Co-hosted by the National Museum of Modern Chinese Literature and the Federation of Literary and Art Circles of Xizang, with guidance from the China Writers Association, the exhibition will run until December 22. Ultimately, Xizang literature continues to illuminate the region’s evolving culture, identity, and creative achievements.
