South Korea’s K-pop industry watched closely as Min Hee-jin won a major legal victory against HYBE Labels. She secured about 25.5 billion won ($17.5 million). The ruling clarifies her rights under a shareholder agreement and affirms her creative autonomy. Consequently, the decision marks a pivotal moment in one of K-pop’s most high-profile corporate disputes.
The Seoul Central District Court confirmed that Min’s put option was valid. The court rejected HYBE’s attempt to terminate her contract. HYBE argued that Min breached the shareholder agreement by pursuing independence for Ador. They also cited public comments she made about internal conflicts. However, the court ruled her actions did not meet the legal threshold to void the agreement.
The court also addressed Min’s criticism regarding similarities between NewJeans, the girl group she helped create, and ILLIT, a group from another HYBE affiliate. Judges said raising concerns did not violate the contract. This distinction emphasizes that producers’ artistic opinions remain protected, even in large corporate structures.
Following the ruling, Min shifted her focus to her independent label, Ooak Records. She began branding efforts tied to a planned boy group debut. Observers say this signals a strategic move to rebuild her career outside HYBE’s oversight. Her track record in visual direction and creative concept development gives her early leverage.
Despite the ruling, the legal landscape remains complex. HYBE plans to appeal, and several lawsuits related to damages and defamation continue. These include a 43.1 billion won case involving Min and former NewJeans member Danielle. Meanwhile, NewJeans members’ exclusive contracts with Ador remain valid. Some members returned to Ador, while others have yet to clarify their status.
Industry experts say the decision may influence negotiations over NewJeans’ future activities. They note that it could shift the balance between centralized corporate management and creative autonomy within multi-label systems. Meanwhile, the Korea Entertainment Producers’ Association expressed concern that the verdict may undermine trust in long-term contracts.
Looking ahead, HYBE faces pressure to stabilize its public image while navigating appeals and ongoing lawsuits. For Min, the challenge is establishing Ooak Records as a creative powerhouse independent of large-label resources. Analysts say the next phase depends on her ability to leverage brand value and redefine her career trajectory.
Ultimately, the legal victory strengthens Min’s position and reshapes the dynamics between producers, labels, and artists in South Korea’s evolving K-pop industry.
