Taipei’s National Museum of History currently offers a journey through color and form that art lovers should not miss. The museum presents three stunning exhibitions. Each show offers a unique perspective on modern and traditional art. Sculpture, ink painting, and color take center stage in these engaging displays.
First, visitors can explore Lee Zai-qian’s solo exhibition. Lee, now in his nineties, remains an energetic and innovative sculptor. His exhibit runs until June 8. It spans three parts, each showing his long artistic evolution.
The “Minimal to Infinite” section reflects Lee’s blend of Eastern thought and Western Minimalism. Works like Minimal to Infinite and Element combine Taoist ideas with clean, modern shapes. These pieces invite reflection on both order and chaos.
Next, the “Element” section focuses on the concept of “Yuan,” meaning origin. Lee uses geometry to explore themes from the digital age to ancient philosophy. His sculptures show how timeless ideas can shape futuristic art.
Lastly, “Echoes of the Past” mixes sculpture with calligraphy and ink painting. Lee shows how tradition can evolve. This section bridges Chinese heritage with modern vision.
Next, take in the Centennial Memorial Exhibition of Li Chi-mao, a giant in ink wash painting. His exhibition includes 69 works from 25 collections. Many of these have never been shown before. The show, also ending June 8, marks 100 years since his birth.
Li combined traditional brushwork with Western realism. He painted everyday subjects—markets, animals, and metro scenes. His brushstrokes feel alive, bringing movement and emotion to the canvas.
Later in life, Li developed a minimalist style. His works became more Zen, blending calligraphy and painting. This created a harmony that defined his final artistic period.
Finally, don’t miss the solo show of Chung Kui-ying, a pioneer among Taiwanese female artists. Her exhibition runs until July 6. At 94, Chung continues to inspire with her vibrant color work.
Chung studied under Liao Chi-chun, a leader in modern Taiwanese art. She experimented with Impressionism, Fauvism, and Abstract Expressionism. Her works use bold colors—reds, oranges, and deep blues—to evoke emotion and warmth.
In the 1970s, her palette leaned toward cool greens and blues. Later, she embraced vivid contrasts like red and green. She placed small black blocks in her paintings to amplify surrounding colors. This technique shows her deep understanding of visual balance.
Over time, Chung returned to simpler color schemes. Yet even her subtle works carry emotional weight and visual harmony.
Taipei’s National Museum of History invites everyone to experience a journey through color and form. These three exhibitions celebrate artists who defy time, style, and boundaries. For art lovers, a journey through color and form awaits at every turn.
